THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently yearning romantics, with this distinction: Buster appears to be a plausible mate, plus the Tramp hardly appears to possess a libido, only idealized notions. If their comedies were produced in a far more liberated time, it is possible to imagine Keaton in mattress with a woman, but disquieting to consider the Tramp as being a sex